By Jeanine Basinger

ISBN-10: 0819562912

ISBN-13: 9780819562913

During this hugely readable and exciting ebook, Jeanine Basinger indicates how the "woman's film" of the 30s, 40s, and 50s despatched a effective combined message to hundreds of thousands of girl moviegoers. even as that such movies exhorted girls to stay to their "proper" realm of fellows, marriage, and motherhood, they portrayed -- frequently with savor -- robust ladies taking part in out releasing fantasies of energy, romance, sexuality, luxurious, even wickedness.

Never brain that the celluloid personas of Bette Davis, Myrna Loy, Katharine Hepburn, Joan Crawford, or Rita Hayworth see their folly and go back to their guy or lament his loss within the final 5 mins of the image; for the 1st eighty-five mins the viewers watched as those characters "wore nice outfits, sat on nice furnishings, enjoyed undesirable males, had plenty of intercourse, informed the realm off for limiting them, even gave their kids away."

Basinger examines dozens of movies -- even if melodrama, screwball comedy, musical, movie noir, western, or biopic -- to make a persuasive case that the woman's movie used to be a wealthy, advanced, and subversive style that well-known and addressed, if covertly, the issues of girls.

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13 Further, there is a real sense in which Buffy is in danger of defeat and despair throughout the episode. Buffy goes to Los Angeles not out of the pure and self-sacrificial love for humankind that Christ brings to Israel, but out of grief. Her motives, even as she helps Lily, are mixed, and she is full of hesitation and anger. Finally, Buffy does not get to hell by dying, but by falling through a dimensional portal. For, as we learn throughout the series, there are many hell dimensions full of suffering and death.

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A Woman's View: How Hollywood Spoke to Women, 1930-1960 by Jeanine Basinger

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